All posts by REB

Still Awaiting the Great Robot Insurrection

Tomorrow I'm going to be a year older.  44, I think.  I'm so bad with numbers that I have to look at my drivers license to know what year I was born in.

When I was a teen, I would think of my future.  But never did I push my fantasy beyond 40.  In all candor, I didn't expect to live this long.  There were all manner of things readied to take me out in the ensuing years.  Asteroids, robot insurrection, global plague, nuclear winter, or my own dark moods.  But mostly, I couldn't imagine myself older than 40, because I'd no longer have that connection with youth.  You know, I'd be an old man.

Fuck….  Where are those damned robots?

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I don't have the luxury to wallow in self-pity.  I need to prepare myself for the first day of shooting on the new Nations Entertainment Group's feature this Saturday.  For some idiotic reason, they've decided that the first day of production will run 18 hours.  Someone forgot to read that first paragraph in just about every “so you wanna make a movie?” book.

It usually goes something like this:

“Congratulations, you novice mogul, you.  You're well poised to be the next Howard Hawks!  Just make sure that the first day of shooting is slow and leisurely.  Nothing complicated.  Not an over-load of pages or set-ups.  You want to start things off with your cast and crew loving the experience.  So you go, tiger.  You go.  Make a movie!”

Mark my words, someone's gonna get tossed over that balcony at the location in Seguin. 

I just haven't figured out who it's going to be.

All I can say is there'd better be plenty of coffee.  So, Mr. Ansley, don't hoard the stuff, or it's over the rail before the egrets lift their first wing of the morning.

But I will do my best to keep my name out of the police blotter in the Seguin Gazette-Enterprise.

At the Risk of Quoting Myself … Again

This current work schedule throws my weekly hike with Dar into some confusion.  But by some smooth stroke of luck, she had to take a half day off from work to get some work done on her car.  She uses a place downtown.  So, at one o’clock I drove over and picked her up.  We went for a walk along the Mission Trail from Mission Park to the Aqueduct, and back.  About seven miles.  It was a great day.  Warm and sunny.  I should have planned more wisely for the duration of the walk.  We were out there about three hours.  And I am currently sporting my first sunburn of the year.  Definitely a sign of the change of the seasons.

One of the problems of writing public journals (especially with the sort of frequency I’ve been doing of late), is the tendency to quote oneself.  It’s fine if it’s something I’ve written which no one has yet read.  True, there’s this pesky echo in my head, like an actor delivering a line poorly (“shit, I can do it better than that”).  But the up side, in these instances, is that it makes you look clever (or so you tell yourself).  But when it’s something you’ve placed on the internet, and you know for a fact that many friends and family read those postings, just about everything begins to sound like old material.

Me and Dar were walking along the trail this afternoon across the river from the ruins of the old Hot Wells resort.  She asked what was up with those old buildings.  As I answered, I found myself cringing.  I was hearing (in my mind’s ear) my tendency to fall into a rather florid syntax, not to mention all those halting verbal mannerisms, as I launched into several lines lifted directly from a mini documentary I made over a year ago about the place — which I posted on my video blog.

Clearly I was deep into the “stop me if you’ve heard this before” territory.

So, Dar, and anyone else interested, link here for a tiny 2 minute piece.

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My sister turned me on to The Travis and Jonathan Show a few years back.  Travis Harmon and Jonathan Shockley started on cable access in Nashville.  They now are in LA.  I wasn’t a huge fan of their stuff they did back on channel 19 in their home town.  Fun but rather forgettable.  However, they’ve been doing some pretty wonderfully weird stuff.  A disturbing take on two men’s fascination with Brokeback Mountain, that makes the Post Show look like Teletubbies.  They did a strange parody of Werner Hertzog’s Grizzly Man, where Jonathan’s portrayal of Hertzog is as unfocused and perplexing as Chris Elliot’s Marlon Brando “impersonation.”  And then there are the duo’s brilliant video podcasts as Jackie and Dunlap in Red State Update.  They play two hardcore southern rednecks, surrounded by mountains of empty beer cans, bourbon bottles, and overflowing ashtrays.

One of the recent postings is a little mockumentary.  It’s titled “In The Studio with Rick Rubin and Ray Stevens.”  Travis portrays iconic music producer, Rick Rubin.  The man known for his work with Metallica, Johnny Cash, and Audioslave, is inexplicably working on a fresh interpretation of Ray Stevens classics such as “The Streak” and “Ahab the Arab.”  I think what I most like about this little piece is Jonathan’s take on Ray Stevens as a clueless goofball, trying to convince his producer that all music sounds better with a laugh track, even Slayer.

It may well be correct….

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So, to recap.  Don’t let this happen to you.

Use sun-block, a burka, or midnight rambles through the cemetery.  Whatever best fits your lifestyle.

Dual Clutch Flotsam

I don't keep current on all manner of pop culture, but here I'm assuming that Punxsutawney Phil proclaimed his oracle that, indeed, spring has sprung.  For here in San Antonio, it certainly seems that those pesky, depressing cold sunless days are behind us.  I'm back to enjoying afternoon bike rides along the Mission Trail.

Out near Mission Espada, I was walking the bike along the banks of the San Antonio River.  There was a good amount of flotsam on the grass from when the recent heavy rains caused the river to flood the banks and deposit on the ground an assortment of styrofoam cups and plastic grocery bags.  At one point I saw the signs of juvenile delinquency.  A spent tube of airplane glue.  Ah, sweet youth.  I leaned down and idly picked it up.  But this was not the sort of tube for sniffing.  It was for another form of entertainment.  I was holding an empty tube of Anal Eaze.  Perhaps it washed down from Warren Industrial Lubricants, which is upriver a few miles at Southcross.  A quick Google search proved enlightening.  Warren makes lube, but not for heavy-duty (industrial) fornication.  No, it provides lubrication for large machines … you know, like tractors.  And let me tell you, when you've plowing up the back forty with a Foton dual clutch FT354 tractor, a 1.5 oz tube of Anal Eaze ain't gonna get you past the first furrow.

Or so I've heard.

Warren Industrial Lubricants, it's for the big jobs.

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I got out early tonight from the Company, and was able to make the Short Ends directors meeting at the Jim's restaurant at 281 and Thousand Oaks.  The location was only a couple of miles from the Company.

There was just four of us.  Matthew, and three directors for this up-coming screening.

Joey, me, and Veronica.

Imagine my surprise to learn that the Veronica I had not yet met, was indeed a Veronica I had already met.  I just hadn't put all the info together.  It was Veronica Hernandez, who I'd met through several NALIP events.

She talked about some projects she's currently working on.

The Short Ends film she is directing is from, I believe, Jerod's script.  And, off hand, I'm not sure what genera they're working with.

She's also working on a project that's hiring Austinite Michael Morelan as DP.  I've been on set with Michael before.  He's professional, focused, oozing with talent, and has loads of great equipment.  I tried my best to convey to Veronica that Michael will guarantee the project to look beautiful.  Plus, he's fun to work with.

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For some reason, I never got into Michael Moorcock.  He's a science fiction writer with literary pretensions.  He's often mentioned in the same sentence with people like Phil Dick, Ballard, and Alan Moore.  Politically, he's an anarchist.  He dismisses Tolkien, and praises Mervyn Peake.  He sounds like the perfect author for me.  Why have I put off reading him for so long?

I decided to get something by him the other week while I was poking around the library.  I saw this book titled “Tales from the Texas Woods.”  It was published by Mojo Press in Austin.  1997.  Why don't I know about this stuff?  It gets worse.  Moorcock (a famous Brit author) lives (or lived) in Lost Pines, Texas.  Shit!  That's like discovering that Colin Wilson has been living for the past decade in Sanderson, Texas.  I'm not supposed to be out of the loop on these sorts of things.

Even Mojo Press has basically kept beneath my radar.  A Landsdale title or two I'd seen.  And my friend Matthew A. Guest provided the illustrations to one of the Mojo's graphic novel anthologies.  But, for the most part, I've been clueless about their stuff.

I'm halfway through this Moorcock book.  It's not a good introduction to his work.  It's filled with a couple of short stories, and loads of ephemeral writing — forewords, introductions, half-assed essays.  I will now have to read a real novel to see if he can truly write.  He does a nice Sherlock Holmes pastiche in here, but it came off too polished.  August Derleth (in his Solar Pons stories) did a better job of capturing the feel of Doyle.  And Derleth brought to writing the same artistry with which a robot would bring to dance.  But that was fine, because here I think that Conan Doyle's purple prose had more in common with Derleth's pompous over-writing than it did with Moorcock's clean, clear prose.

But I'll  have to give Moorcock an honest read.  The guy who created Jerry Cornelius demands some serious attention.

The Louisiana Condiment Advocacy Board

It's true what they say.  A house is not a home without a 50 cent bottle of Louisiana style hot sauce.  Who was it said that?  Ah, of course.  The Louisiana Condiment Advocacy Board.  Don't know how I got on their mailing list, but I can't complain with the stellar culinary results of a quick stop at the neighborhood HEB supermarket.  That huge batch of lentil and carrot stew I cooked up over the weekend, now has fire and fight.  A couple of dried chipotles into the stew pot was a nice touch, but, still it lacked an edge.  Now?  Kicks like a stew should.

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Friday I received a call from the Company: the gig where I, on occasion, pick up temp work scoring standardized tests.  I started a project today.  I'm hoping to get two weeks out of this one.  It'll be two anemic paychecks, as I'm working nights on this one.  4.5 hours per day.

I had been told over the phone that I would be scoring a reading component of this test.  Fine.  Reading, and particularly writing, are the fun ones.  But when I signed up, I discovered it will be math.

At the training session I spoke up.

“Um, I believe my employee records must mention somewhere to not allow me within fifty feet of a math test that needs scoring.  I know for a fact that I failed the math orientation test when I signed up for this company.”

One of the other scorers rolled his eyes.

“It's fourth grade!”

“Oh.  I did not know that….”

As the team leader began discussing the training material, I tried to recall what math was like when I was in 4th grade.  I think I did okay.  Keep to the add / subtract / multiply / divide stuff, and I'm fine — those functions so ubiquitous that my cell phone can do them.  And, yes, I am smarter than my cell phone.  But it's not one of those fancy kinds.

My final falling out with public school came with my first exposure to algebra.  When was that?  Sixth grade?  Seventh?  Up to that point I loved numbers.  To me, they were inextricably tied to science.  And that's what I wanted to be as a kid.  A scientist.  Or a writer.  There was a beautiful order to numbers.  Patterns in their behavior.  The playful, upward progression of a Fibonacci series, or the enigma of pi.  A pristine poetry, or so I thought.  However, on the first day of algebra, I saw those damn letters squatting right there in an equation.  They didn't belong.  They were supposed to join together.  Make words.  Yes, words!  Those willfully slippery things I love as much now, as I did then.

That was the beginning of the end.  It's hard to fake comprehension in a math class.

My middle school years were spent at a science Vanguard school — sort of a junior Magnet school.  The two guys running the science programs were fantastic.  One was a botanist, the other a herpetologist.  It was all life sciences — with a smattering of physics and chemistry.  I can't recall a scrap of math.

The Science Magnet I went on to for high-school chewed me up and spit me out.  I was sent packing.  Mainly because of my failing in math.  Very sad.  I mean, I had this amazing cytology class.  Cytology … in high-school!  The chemistry teacher was a bit of an asshole.  But funny, and brilliant.

I soon found myself in the high-school I would have been at all along, were it not for my excursion to that realm where I just couldn't measure up.

Failing grades there, prompted my great aunt to offer money to send me to a private school for rich fuck-ups.  And thus I was able to purchase my high-school diploma — a year early, even — and get out, and on with my life.

But I do love math.  I'm just a mess when I try and do algebra and calculus.  I could blame dyslexia, but I don't buy that.  People over-come all sorts of limitations.  Really, it's about just doing the work.  Much like learning languages.  Total immersion.

(And, yes, Jennifer, I know.  I should track down a good college math lab.)

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Yesterday I had called for a production meeting.  When it was pointed out that Sunday was the Super Bowl, what could I say.  A good filtration device.  If fucking sports means that much to you, we really shouldn't be working together.

Sports fans and nationalists need not apply.  If uniforms excite you (and NOT in a fetishistic manner), I can guarantee, I just won't be able to understand that sweet, subtle essence that makes you, you.

Anyway, I was expecting–  Scratch that.  I was hoping for 10 people.  I got 4.

Carlos showed up.  In fact he was the first one there.  He'd already been to an audition earlier in the afternoon.  Chris, dependable as always, showed on time.  And an actor Carlos wanted us to work with, Roze, drove down from San Marcos with his daughter.

It wasn't a complete waste.  I got to meet Roze.  Great guy.  And it was nice talking to people about the script and the project.  These sorts of meetings help to generate momentum and enthusiasm.

Ah ….  Enthusiasm.  I remember that.  It seems so distant.  I need to find a project that gets me excited again.  Maybe this one will be it.

But I recall those days, not so many years ago (four, in fact), when I was making films with fellow students.  It was amazing.  We were all committed.  100 percent.

Film instructor and UTA Art Department head Andy Anderson, used to accost every student who said he or she couldn't make a shoot because of, I don't know, “I've got to study for a chemistry test.”  “Oh?  Well, do you want to be a chemist?  Or do you want to make movies?  Because the rest of us, we're going to be making movies.”

Enthusiasm?  Yes, yes.  I'm trying to foster it.  Tough, at times.

Wispy Midnight Clouds

There's a full moon up there tonight.  But I'm not so foolish as to try and go  out and enjoy it.  It's in the mid 30s, and that's not enjoyment weather for me.  However, when I was walking my neighbor's dog earlier, I was quite taken by how the moonlight plays across my tin roof.  I've been here in San Antonio for three years, and I still get a kick out of these tin roofs — they seem so exotic.

I hate to let a great full moon go to waste.  When I lived in the Big Bend, I would walk around the desert on those full moon nights without even taking a flashlight.  I could easily see the coiled rattlesnakes in the arroyos or goat paths, and step around them.  You could count on the ground the ants (those diligent creatures, always on the move) without even bending low.  I used to lie on the hood of my '69 Coupe de Ville and watch the wispy midnight clouds drift across the sharp-defined disk on the moon.  I could read by that silver light whenever I needed to reference my set of Burnham's Celestial Handbook, the three volumes of which would comfortably perch on the lip along the windshield where the recessed wipers hid.  The entire desert shone in clean monochrome — the little waxy leaves of the greasewood bushes glittered with a riot of tiny silver ovals.  And the bats, jittering about in impossible zigzags, were charcoal silhouettes; in fact, they seemed to be the only black forms playing about in this world of silver objects which shone in various degrees of luminosity.  Even the dark nighthawks, with their round woody songs, wore a reflective lateral stripe across their wings.  But the bats, they were all black.

Tonight I know those bats are still wintering far to the south in Mexico.  I want summer now.  I want those bats returned to their proper San Antonio roosts up under the I-35 overpass by the Market Square.  Texas is only half a thing without our Mexican free-tailed bats.

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I've been nursing a cold today and watching, over the internet, several episodes of Torchwood.  Jennifer was right to caution me about the decease in quality after the rather promising pilot.

The show is a spin-off of the current version of Doctor Who.  It's along the lines of a X-Files and Men In Black.  It seems uncertain as to whether it's geared for children (such as Doctor Who) or adults (like, say, Firefly).  The adult aspects, such as prevalent bisexualism and flirtations with existentialism, are in constant struggle with an adolescent playfulness along the lines of Biggles and Harry Potter.

I shouldn't carp.  It does not pretend to be more than simple entertainment.  I've seen more than half of the first season.  All in all, it's fun stuff.  I'll keep watching.

One of the nice things about the show is that it's set in Cardiff, the city where the show is produced.  They probably could have done a decent job making it look like it was set in London, but they didn't.  They played up the visual strengths of Cardiff, and created a script so that it made sense for this top-secret alien-hunting organization to be headquartered in Wales.

And I find myself thinking, why not San Antonio?

It's a beautiful city.  And I'm not opposed to ripping off someone else's work.  That's the definition of our art and culture in this country.  Besides, what successful American TV show wasn't stolen from the British?

I've already created the perfect underground headquarters in my short piece about tunnels which were created by an ancient civilization beneath San Antonio's Tower of the Americas.  We have chupacabras, ghost tracks, Tom Slick (world famous cryptozoologist, deceased — or is he?), a gigantic unquenchable mulch fire, and all sorts of wackery I'm forgetting — or don't yet know about.  You see, I'm still convinced that in the sub-basement of the Southwestern Research Center (Tom Slick's brain child), a 21st Century spunky Nancy Drew could very well stumble on the mother lode:  an advanced breeding colony of Venusians; Nessie's little sister in a huge, murky tank; and a couple of Yeti-Bhutanese hybrids working in the secretarial pool.

Yeah.  Time to start shaking the trees for investors.

It's no more ludicrous than Torchwood … or American Idol.

Cue the Mariachis

I was sorry to learn yesterday that Molly Ivins passed away.  I'd been reading scattered comments the last couple of weeks that made it sound like things were coming to a close with her.  Of all the contemporary professional Texans our state has foisted on a wary world, she was the one who never tempted me to mutter, “Yeah, I'm from Oklahoma.”

On today's Democracy Now, they showed some of an interview from last year where Amy Goodman was speaking with Molly, who was looking a bit shaky, but still came off as vibrant, witty, and wise (not just wise of ass).

She said something that almost had me choking on my morning latte.

It had to do with the intellectual limitations of her favorite Shrub, George W.; in this instance, the ten Guv's self-professed fluency in Spanish.  (And here I paraphrase from memory.)

“On his campaign tours in the [Rio Grande] Valley, he'd always speak the same two sentences in espanol, and quickly someone would cue the mariachis.”

She belittled those in positions of power, but somehow managed never to be mean.  She'll be missed.

Shit.  Now I'm feeling really sad.

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Yesterday my friend Jorge came by to take me out to lunch.  A sort of early birthday present.  We went to Cascabels.  A good choice, I thought when we'd taken a table.  Not only is the food excellent — interior Mexican cuisine at humble prices — but it's the place where me, Deborah, and Ramon met for one of our early meetings that eventually lead to our trip to San Miguel de Allende to make our Dia de los Locos video.  Cascabels allows their patrons to write on the walls with Sharpies.  We three had defined ourselves as “los tres locos” and signed our names on the wall.  And months later we found ourselves in a little place that specialized in pozole off the town square in San Miguel where they also allowed patrons to write on the wall — we did so, for the second time.  Los Tres Locos.  It is only fitting that I found myself having lunch at Cascabels with Jorge Lopez Ramirez, the fourth loco, the man who helped me with the translation of the documentary.  I guess I should have had a Sharpie with me.

Jorge has done some music videos for his nephew's rock en espanol band, Freqüencia.  One of them that he's working on incorporates footage from my second Short Ends film, “Awakened by an R.”  Watching the edit he brought to show me, made me realize how static my shooting style is.  I'm wondering if it lends itself to the music video style.  We'll see.

Perhaps my favorite bit in Awakened is the two opening shots.  The first set-up is some weird flood-gate management station near my neighborhood.  In retrospect, I should have given the camera a tiny bit of motion.  A very slight dolly in would have kicked ass.  I love the color I got out of the sky in post.  And the second shot — a jib tracking shot of Carlos walking — is perfect … for about seven seconds.  I should have cut much sooner.  But I think what makes these first seconds so sweet is how the music — Freqüencia — conveys a potent sense of the elegiac, that beautiful pain of loss.  The first 20 seconds of “Awakened by an R” may be the best thing I've done in the film/video world.

Jorge has some time on his hands, and is making the most of it.  Editing projects. And he even shot a short with the help of Roland, Kareem, and Amanda, which he is also editing.  He seriously wants to learn the craft, and is learning by doing.  Isn't that the motto of the 4-H Club?  “Learn to do by doing.”  Words to live by.

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I've been waylaid by a cold.  But I rallied for my weekly walk with Dar.  We met at McAllister Park.  A beautiful day.  Sunlight.  Warm enough for shorts.  And nothing could have better illustrated my being out of sorts (“feeling puny,” my father would have said) than my sudden realization that I was wearing my workout shorts inside out.  I was so close to getting back in my truck and taking them off to turn them around, but it hit me that McAllister Park has a certain, um, reputation, and getting busted for taking off your pants in McAllister Park — well, it's just the sort of thing that could give folks the wrong idea.

Dar told me that Andy officially starts work at Time Warner Cable on Monday.  (Congrats, Andy!)  Tomorrow is his final day of orientation.  I think Dar is expecting him to return home loaded down with all the equipment that will allow them complete access to every TV channel know — the stuff of the gods!

I guess I'll never see Dar again.  She'll be too busy with her “stories.”

Nice knowing you, babe.

From Beyond the Bamboo

I might be the only person I know that puts his laundry out on the line to dry. There’s a dryer on the back porch beside the communal washing machine, but I never use it. I like how I can hang it up, and forget about it. Hours later, when I remember, there it is, dry and waiting.

We have no alley on my street. The back fence I share with the neighbor on the next street over is a simple wire hurricane fence, but in their yard is a dense stand of bamboo, so thick that I can’t see their house. All I know about them is their dog. Peachy. He’s a spry but quiet little dachshund who always comes pushing through the bamboo to watch me string up my wet clothes. He sits there patiently, studiously. On those occasions when I hear some guy on the otherside of the bamboo call Peachy by name, the little guy begins wagging his tail, and it is only with forced deliberation that he manages to break away from the show (meaning me) and push his way back home, toward the voice.

Today, I was unpinning from the line a black dress shirt that I needed for tomorrow’s job interview. It was a windy autumn day, and when a strong gust rolled into my back yard, I found myself looking toward Peachy to see if he might be entertained by the pecan and cottonwood leaves I could feel playing around my ankles. But, no, he kept his eyes fixed on me. Well, on my hands. And as I notice his head shift, I also saw a black form move past my ear. It was my shirt, billowing up into Peachy’s bamboo. It cleared the fence and tangled up there just long enough for Peachy to catch his breath in amazement, jaws agape; I could hear the shallow intake of breath. And then the shirt fell down beside the dog. The silence was broken by the clatter of a pecan falling on to my tin roof. Peachy snapped up the shirt, and they were both gone. And it was silent. Not even the leaves stirred.

I called, softy. “Peachy! Here, boy!” Just the way his master called. I tried louder. And even louder. But nothing.

I was wearing shorts and slip-on Vans without socks. I cautiously got up on the fence, trying to keep my legs from the wire metal prongs on top. I made the mistake of reaching out to steady myself on a sprig of bamboo. I went down fast. But the ground was soft. I made sure no one had seen, and I pushed my way carefully through the bamboo.

Coming into the open of my neighbor’s yard was like an H. Rider Haggard novel, where the hero pushes back some jungle plant and sees the inexplicable Lost City of Whatever. I marveled at the beautiful thick grass. A lush stand of ferns beneath the shade of a grapevine arbor. A line of manicured loquat trees. And most amazing or all, a swimming pool. I had no idea this Shangri-La was here. My backyard had little more than nettles, dandelions, and a rusted Webber grill.

I spied Peachy sitting on an Adirondack chair with a cushioned seat. He had my shirt up there with him, draped across this forepaws. I moved slowly, so as not to cause him to think it was a game.

When I was about ten feet away, I had this trifecta of sensory input. They all happened pretty much at the same time. I smelled burning clove. I heard the reverb guitar from Donavan’s “Hurdy Gurdy Man” buzzing from tiny speakers. And I saw a slim young man barefoot in jeans and a t-shirt reclined in his own Adirondack chair, wearing blue-tinted glasses, headphones, and smoking a black clove cigarette. He had his eyes closed and was nodding his head to the music.

I suddenly realized I was crouched down, practically on all fours on the grass, coaxing a dog with kissing noises, while in someone else’s backyard.

I quickly stood up.

The man in the blue glasses must have had his eyes opened enough to see my movement. He slid off the headphones, pushed his glasses up on his head, and smiled at me.

“I’m so sorry. Didn’t hear you come in.”

“Um, well….” I pointed back to the bamboo. “I came over the fence.”

He kept smiling. And he waited.

“Your dog got my laundry. Well, a shirt of mine got up in your bamboo….”

The man pivoted in his chair. He remained sitting but placed his feet on the grass. He looked to his dog. “Peachy!” he said severely. “Bring it here!”

The dog leaped down, his tail thrumming. He carried the shirt to the man and laid it at his feet.

“I’m so sorry about this. My name’s Warren.”

I gave my name. We shook.

Peachy wandered over to the pool. I looked over and watched him pace along the edge near where an inflatable mattress was floating. He studied the situation for no more than five seconds, and he gave a little hop, landing on the mattress. He shot a look of satisfaction towards us, and he curled up and went to sleep.

“Is he safe on that thing?” I asked.

“What do you mean?” asked Warren.

“I mean, you know, if he falls off….”

“Oh. Then he’ll do the dog paddle.” Warren was looking closely at my shirt. “I don’t know how to break this to you, but it looks like my little sweetie has torn it.”

“I’m sure I can fix it.”

Warren waved me off. He got up and walked to his back door. “I’ll get you fixed up in a jiff. Come with me.”

Inside the kitchen Warren introduced me to Scott, a talk gawky man with shoulder length blond hair pulled back behind his ears; and Babs, a puffy middle-aged woman wearing a chartreuse apron over a conservative pantsuit. Babs had a bouffant of airy lacquered apricot hair, and a pair of turquoise earrings large enough to be strapped around a championship wrestler’s midsection.

Scott and Babs were assembling a salad. She was brushing mushrooms, and he was slicing them with a chef’s knife.

I was announced as “the nice guy from beyond the bamboo.”

Warren leaned in to kiss Babs on the cheek. “She’s my mother,” he said sheepishly.

Scott gasped with pretend chagrin. “Make that mother-in-law!” He looked at me. “She’s my mother.” He reached out and gave a sharp slap at Warren’s ass. “And she’s the biggest fag hag in the city. But,” he said turning to me, “I’ll let you in on a little secret–”

Babs cracked a open a ginger ale can directly under Scott’s nose. He recoiled from the spume, and sneezed and cursed.

“Hey, you don’t even know what I was going to say,” he said with a soft whine.

Babs laid a hand lightly on my cheek, and as quick as it was there it was removed.

“I have so many secrets. And this son of a bitch of mine knows I treasure each and every one of them.” She shot a nasty glance to her son that wasn’t nasty at all. “And speaking a secret makes it something else. Something mundane. Gossip. Simple, tawdry gossip.”

Warren left in search of his sewing kit, and I was steered to a seat at the kitchen table with a ginger-ale and bourbon as Scott and Babs continued with their salad and entertained me with stories, mostly those concerning what a “queen” Scott’s father was.

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The first time I had bourbon and ginger ale, I was eighteen and living in Worcester, Massachusetts. I’d found an apartment in an old house that had been turned into an Orthodox Jewish temple. At that time I only had the vaguest concept of the history of the sabbath goy, but it hardly mattered. My little apartment no longer had a job assigned to it. The duties once carried out by the goy tenant were now all automated, and thus I became simply the kid who rented the apartment.

There was a little patio beside the front porch with a hammock and some chairs. I used to sit out there reading and writing. The man who lived next door was with the congregation. He was quite well off, and his house was massive. Most everyone called him the Commodore. He had been in the military — the navy, I assumed. Also, he had been mayor for a decade or so in one of the outlying towns. Now, he lived a comfortable retired life. Just him and his daughter in a large house.

The Commodore’s daughter, Millie, never once spoke to me. And I believe she never had spoken to anyone. I had overheard someone from the neighborhood, a professor from over at the Polytechnic, refer to her as profoundly retarded. I took exception with that “profound” remark.

Millie lived in the coach-house behind the Commodore’s home. She seemed to be able to take care of herself well enough. She had no nurse or care-giver, and she was always clean and well dressed. Millie was maybe thirty-five. She often came over to my patio while I was reading. Sometimes she sat in one of the chairs, stiff and staring into space. But, as often, she’d just be there with me, standing, pensive, as if waiting for something. She’d only look at me if I moved or said something. But when I spoke to her she’d do nothing more than look over, acknowledging that I spoke, and drift back off to some unfocused spot.

The Commodore never came to collect his daughter. She never moved beyond the property of her house or the temple. She had no interest in the busy street out front. She made me think of a tame deer, poised to flee, but no longer needing to. When I’d go inside, she never made to follow me. She’d either wait outside, or wander back home. The Commodore never brought her to the services.

One day the Commodore invited me over to his place for dinner.

It was nothing special. He had a pizza delivered. It came from Franks, a place down the block where I often ate — also, Frank kept me supplied with pot and valiums. We sat at the table in the Commodore’s huge kitchen. He kept my glass filled with what he simply called a “highball.” It was bourbon and ginger ale, mixed perfectly to his measurements. He waited, pensively for me to finish, so he could build me another one from the ground up. None of this bullshit of “let me freshen your drink.” It was one part Old Crow whisky, three parts White Rock ginger ale. No substitutes. No deviations. And it was perfection. Like a slightly tart and earthy cotton candy that eventually bludgeons you down so that you’d twitch a bit, but you’d still marginally be human … more or less.

He had this mustache that was full and thick and I knew that were I to live to be a thousand I could never cultivate a crop like his. He made a great presentation about wiping that upper lip with the back of his hand after every deep drink from his highball glass.

The Commodore never looked at Millie, who, during my visits, was always in the doorway or seated at the kitchen table. Millie never looked at her father.

That first night when we were clinking glasses and sharing pizza, the Commodore lifted a finger solemnly — we were in the vicinity of drink number seven — and drew my attention to Millie. She was standing in the doorway to the utility room watching me.

“Millie is like a dog. Obedient, and asking so little.”

I wanted to tell him that I thought Millie was more like a cautious deer, but I wasn’t quick enough.

“Ten years ago,” he continued, “I had the foundation of the north wing jacked up to make it level again. The contractor stayed for the entire week in the coach house. Millie didn’t live out there at the time. But I soon learned that the two of them were …. How can I put this delicately?”

I looked from the Commodore to Millie, standing in the doorway.

“I understand.”

“Do you?” the Commodore asked, tracing with a fingernail patterns on the condensation of his highball glass. “I let him stay until he finished the job. You know, the foundation.”

In my dim recollection, the conversation took a turn towards some other, miscellaneous, topic.

When the Commodore hung himself in his stairwell that winter I was a bit peeved that the cops never came next door to interview me.

Millie, I learned later, went to live in a group home outside Rutland.

@@@@@@@@@@

Babs and Scott were asking my opinion of some reality television show I’d only vaguely heard about.

“Is that the one where they all live in the same house?”

Babs laughed and shook her head.

Scott told me: “That defines so many of them. But, yes. Yes, they live together.” He lifted up my empty glass and made to fix me another drink. I shook my head. He shrugged and continued. “Anyway, that’s where this Ice Queen, Mona, comes in.”

“What a bitch,” Babs said, hissing the final word through her teeth with terrible seriousness. “USDA whore.”

“Oh, yeah! And she’s got this poor little nebbish guy–”

“He’s a fucking postman!” said Babs with sudden enthusiasm.

“She’s got him wrapped around her pinky.”

I noticed Warren enter the kitchen with my shirt. He tilted his head, and I followed him into the front of the house. Babs and Scott kept up their banter, apparently oblivious to my absence.

“I see you survived the assault of the stereotypes,” Warren said with a smile as he looked down at the shirt in his hands. “That boy does love his mother,” he added softly, letting me see a bit of eye-rolling.

“Okay,” Warren said, turning the folded shirt toward me. “I’ve stitched it up pretty nicely. Also, your collar button was about to fall off, so I sewed it tight.”

“It looks great. Thank you so much. The only nice shirt I have.”

“Well, take a deep breath as we head back through the Babs and Scotty Show–”

“Actually, I think I’m safer not climbing that fence again. I’ll go around the block.”

He walked out the front door, and I noticed that the fence surrounding the backyard came up to the side of the house. Peachy was looking at us, wagging his tail. He completely ignored a large chow with matted hair sitting in the yard on the other side of the fence from her. I’d seen this quiet, slow-moving old dog wandering the neighborhood for at least two years.

“We call her Brownie,” Warren said of the chow. “She absolutely adores Peachy. He pretty much ignores her.”

“Life can treat you cruel,” I said. Warren lifted his hand. We shook. And I walked around the block to my house.

Warren had invited me to drop by, whenever. I’ve never took him up on it. But when I do my laundry, I still have Peachy to keep me company. And, it’s strange, but after my visit to Warren and Scott’s backyard, I hear sounds from the pool all the time. And I never did before.

A Peek Into My 2007

I dropped by Urban-15 this morning to talk with George Cisneros about a few projects they have in the works.

One is a video installation George is rushing to complete for the Museo Americano, the local San Antonio Smithsonian affiliate museum.  Budgetary concerns apparently forced the piece to be scaled back, but, still, it seems pretty ambitious.  Much of what George needs help on involves a solid expertise on a few rather exotic editing programs unfamiliar to me.  I would have given thought to admitting knowledge nonetheless, and taught them to myself in a speedy panic, but the turn-around is so short that he has already hit the group running.  I can't learn that fast.  I will, however, be doing my part here and there.

The entire video installation will look damn cool when it's complete.

We also talked about the first annual Josiah Youth Media Festival, named after Josiah Neundorf, a young San Antonio filmmaker who passed away from cancer at the end of March of last year.  It looks like George and Catherine may have enough funds in their operating costs to take me on in a temp part-time basis to help bring this fest together.

I'll be getting into this more specifically late February when more information begins to run through the pipes.

But things are moving along at Urban-15.  After I left, George and Cat were mixing up some aguas frescas for a bunch of architects who were coming to check out the place.  They will be tending bids to renovate the sanctuary in the west wing of the building.

I love their space.  So many possibilities.

This first half of the year promises to be a riot of activity for me.  I've already committed to nine projects / events.  Five will pay.  But not enough.  My seasonal work with The Company — scoring standardized tests — should begin anew late February.  Then I might be able to start paying some bills.

 

Like Some Species Of Glaswegian Rodent

Saturday night I drove out to the hinterlands around Universal City and Converse for the cast and crew preproduction mixer at Robin and Kevin's place.

I finally had a chance to see the sound-booth Kevin made in the garage.  There is still room to squeeze in one car.  A small car.  By the rest has been walled off to make an editing suit / sound-studio, complete with a plexiglas window looking onto a soundproof sound booth that's more cozy than cramped.  Very impressive.

There must have been 25 cast and crew, as well as parents of the child actors.  We all took turns giving our names and our character or crew position.

Our sound man, Rudolfo showed up a bit late.  And after he and his wife Miriam had said their hellos all around, Russ cleared his throat.

“Rudolfo, you came in a bit late.  But we all took turns introducing ourselves and sang our favorite song.”

No one in the room made a sound.

Rudolfo was standing by the door.  He took a moment, and said:  “My name is Rudolfo, and, I hope you don't mind if I sing in Spanish.”

He sang a couple of bars, before interrupting himself.

“You'll excuse me singing to my wife.  It's a serenade.”

He returned to the song, directing it sweetly and softly to Miriam who was sitting cross-legged on the floor.  After about two verses, he trailed off.  “It gets a bit–”  He searched for the word.  “Racy?”

We all laughed.

Miriam shot to her feet.  A few people tried to explain it was all just a joke, that none of us had actually sang.  But she wasn't listening.  After some thought, she launched into something so appallingly '70s, that I've purged it from my memory cache.  Olivia Newton-John?  Karen Carpenter?  Whatever, it had me grinning.  They came to play.  I like that.

Tim and Anne Gerber showed up.  I hadn't known that Anne was even in the production until someone had told me the day previous.  Anne's presence can only help any film.  She's cast as the character whose motivations are poorly realized in the script.  I'm glad Robin brought her on.  Anne will add considerable depth to her character.  Also, Anne mentioned that her mother occasionally reads my blog.  Apparently to see what's going on in San Antonio.  She lives, I believe, in Toledo.  If you're reading this, Anne's mom, howdy.  Your little girl continues to take this town by storm.  I guess the only thing keeping her from hitting the boards on Broadway or basking the lime-lit studios of Hollywood, is the hubby's firm commitment to KSAT TV.  Oh, well.  I guess some people need to act responsibly.  What I mean, is, children, please, don't take a page from my life's playbook.

The desperate lifestyle of the perennially unemployed has, today, reduced me to experiment with the culinary nuances of oatcakes.  This afternoon was cold, cloudy, and I had no desire to venture out.  Beside, I'd blown my budget this morning on 2 dollars worth of typing paper at the Dollar General Store.  So, as I checked the larder, I noticed I still had an ample supply of oat groats.  At 79 cents a pound, you can't go wrong.  I pulse them in an electric coffee grinder for steel cut oats.  But I'm always intrigued with the rustic foodstuffs.  Oatcakes?  What are they, really?  A quick internet search came up with a rock-bottom basic peasant version.  Oat flour.  Water.  Mix.  Cook.  Yeah.  That sounds promising.  So I lean on the button of my coffee grinder, until the groats are a powder.  Add a bit of water.  Make a paste similar to corn masa for tortillas.  Then I shape out a thin patty and toast it on a cast iron skillet at medium heat for, I don't know, maybe three minutes a side.  It's surprisingly flavorful, even unadorned.  Come summer, I think I'll try them with fresh mango and pineapple drizzled in lime juice.

Shit, I think I just managed to make romantic the image of me gnawing away like some species of Glaswegian rodent on a roundel of toasted oat paste.

At least I got a call around 4pm from Russ.  He's just finished the first day at his new teaching gig at the Harlandale arts magnet highschool, AKA, The Film School of San Antonio.  The campus is located a few miles south of me.  And as he still lives way up north in New Braunfels, he called to invited me to a late lunch, while the rush hour traffic subsided.  Actually, I was hoping he's do just that, and had gone easy on the oatcake action.

Tito's Tacos makes some kick-ass enchiladas.  Just ask young Cooper Barnstrom.  They load up the sauce with just the right amount of oregano.  And the salsa on the side is positively addictive.

Russ mentioned the absurd ease with which he could take over the entire film department.  A bloodless coup.  Department head George Ozuna and colleague Dagoberto Patlan were absent.  Sundance, I believe.  Whatever….  Anyway, it was the time to strike.  But he faltered.  This is awfully early to show weakness, I thought, but I held my tongue.  Hell, the guy was paying for my enchiladas.

After stuffing myself, I headed to Gemini Ink, for their monthly free writing group.  I had prepared myself with ten copies of the piece on which I wanted feedback.  This explains my trip earlier in the day to the Dollar General Store.

The rules are simple.  No more than 4 pages, double spaced.  (Actually, I hit them with 1.5 spaces — double space makes me feel like I'm reading Weekly World News headlines (and, on a good day, the content of my stuff makes me feel that as well).)

The turnout was the largest I'd yet seen.  Tonight was my third or fourth visit.  We had ten people in all, including me and the guy who runs the event.  What a stroke of luck.

As often is the case, there were some strong writers, and some who were struggling (and not always aware of the fact).  There was only one participant I recognized from previous visits.  He's an older guy, and he has a strong, uncompromising voice.  His work is dense and challenging.  He speaks favorably of Dreiser and Rabassa (the great translator from Spanish into English).

Eventually the group leader began to squirm like we were going long.  I was the next person to read, and he mentioned something about how those who didn't get a chance, would be placed at the top of the list for next month.  I followed his eyes, and realized that there was a clock on the wall behind me.

Someone spoke before I had a chance.

“The web site says we meet from 6:30 until 8:30.”  It was eight o'clock.

“Really?” the leader asked, dubiously.

I and half a dozen others agreed with the protester.  And thus, I was allowed to read my four pages.  I'll stuff it in the body of this blog entry.  Those incurious can tune out now.  Nothing new to see here.  Just move alone.

I mainly wanted the folks at the table to let me know if I was making a huge blunder in my attempts to write first person in the voice of a 40 year old woman.  So, here we go, the first 1600 words of a current novel in progress:

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They don't like the processed inmates hunkered down by the front gates, and I sure as hell didn't want to be hanging out there.  I had already arranged to meet my ride in front of the old train station on the Gatesville town square.  I had on what I came in with.  Black denim holds up pretty well in a dry-cleaning bag for 17 years.  The jeans fit tight at the hips and my jacket, in the shoulders.  I'd got a bit fat, I guess.  Also, put on some muscle.  My watch needed tightening one hole back. And my Doc Martins seemed a bit loose.  The yellow canvas courier bag slung over my shoulder was empty.  I had some money, not a lot, in my pocket.  That was it.  Not even a drivers license.  Strange, I was free.  Walking on the streets, a free woman, and not a single piece of identification.

I'd been a longtime resident in this city–just on the outskirts–and I knew nothing about it.  Some of the girls, who'd been in and out, drilled the routine in my head.  Left at the gates, three miles to the courthouse, a left and a right.  The train station, now a museum.  It had plenty of parking.  No one ever visited the museum.  The perfect place for a friend or relative to take you … wherever.  Away.

I sat on a woodrailed green bench and waited for my cousin, Frank.  And I kept my eyes just to the left of the bank sign that told me the time (3:23 pm) and the temperature (87 degrees).  People would occasionally stroll past.  I don't know what cues they might have to work with, but I have no doubt my history was laid bare.  They see us all the time, awkward, pale, and broken-hearted.  Happy for being outside?  Sure.  I guess.  But there are other things you feel that aren't about liberation.  There is that absolute certainty that not a single citizen of this town could confuse you for someone normal, someone good.

Frank showed up at the arranged time.  Three-thirty.  He'd not changed a bit.  Always reliable.  I bet he circled the square a couple of times before angling into the parking slot.  At first I thought he was driving the same battered pickup truck he'd had back when, but on closer inspection, I knew it was a newer model.  He got out, grinning, and came around to my bench just as I was standing up.  He grabbed me in a hug and spun me around a couple of times.  We were never that close, and had hardly spoken or written in the last 17 years.  But he had put a five year stint here at Gatesville back when I was a teenager .  So, I guess we had a connection.  Also, I could smell beer on him.  Beer always made him happy.

“Janie!  You haven't changed a bit.”

I didn't believe a word of it.  But he was pretty much as I remembered him.  Stick-thin, Buddy Holly glasses, a weeks-worth of stubble, and a paint-splattered flannel shirt over a heavy metal t-shirt.  He had wrinkles around his eyes, now, when he smiled.  I liked that.  And he had flakes of grey in his hair and his beard.  I liked that too.

“So, you want a drink?”

“You got a cooler?” I asked, assuming it to be a rhetorical question.

“Huh?  Oh, no.  I was thinking a bar.”

“Dry county.”

“I forgot.  So, let's get the fuck out of town.  Place gives me the creeps.”

We never did stop for a drink.  For the best, really.  That was a vice I wasn't keen on falling back into.

It took us about fifteen minutes to catch up on the last 17 years, and after that, the rest of the two hour drive up I-35 was pretty much quiet.
   
Somewhere near the Midlothian exit, Frank asked if mom was expecting me.
 
“Yeah.  I mean, I guess.  She knows I'm getting out today.  Where else does she think I'll go?”

“Maybe we should pull off and call.”

I shook my head.

“Charlie's not going to let you stay there,” Frank said softly.

“I don't know anything about the guy.  He's not even married to her.”

“She does what he says, pretty much.  And he's doesn't think kindly towards you.  He's military, you know that?  And to listen to him talk, you'd think he's still in uniform.”

@@@

Momma never had any money.  We were poor growing up.  She worked for an impound lot, doing all the paperwork — still does, in fact.  She calls herself a secretary, but she pretty much runs the place.

She didn't have the money or the time to come down and visit me often at the Mountain View Unit in Gatesville Prison.  After the first year, we came to an agreement.  She would come twice a year.  My birthday and her birthday.  None of that holiday crap.  That was when the visiting room most crowded … and sad.  Especially at Christmas.

It was on one of her visits about four years ago,  that my mother first mentioned Charlie.  I was thrilled that she'd found a man she cared for.  The only guy I remembering her with all throughout my childhood was Lanny.  He was a permanent fixture in our lives from when I was about nine until I was twelve.  He wrote art history textbooks and taught at Texas Wesleyan University.  He made me laugh and my mother blush.  In the summer of 1978 he parked his car, an old Nash Rambler, at the shore of Lake Worth, and he shot himself in the head.  No one ever knew why.

But even though I was happy for my mother, Charlie didn't sound the sort of man who would ever make her blush.  Or me laugh.

@@@

Momma shed a few tears as we embraced on the porch.  The house had a new coat of paint, a pale orange that made me sick to my stomach.  The huge pecan tree in the front yard was no longer there, not even a stump.  She didn't invite me inside, and things weren't looking good.  Frank slipped by us and I could heard him talking to someone inside.  A couple of minutes later, Frank came out sipping on a tall boy.  He straddled the weathered wooden railing and looked across toward the Hulen Street bridge over Vickery.  The sun had just dropped behind it.

“You should have called,” said the large man who followed Frank outside.  He was pale as a corpse.  Balding with a buzz cut, and more solid than fat.  He wore khaki trousers with pressed seams and a peach guayabera shirt.  “She's been fretting all day.”  He extended his hand and said his name was Charlie.  We shook.
 
I just went ahead and blurted it out.

“Momma, I need a place to stay.”

She stiffened and turned from me.

“Not going to happen, little lady,” Charlie said with a cardboard smile as he looked straight into my eyes.

I felt my throat clamp up, but I did not cry.

“Doesn't she had some say?” I whispered.

“Your mother and me have been all over this.  We are of one mind.”

Momma turned to me, wiping her nose on her sleeve.
 
“I assumed you'd be staying with Frank until you got on your feet,” she said.

Frank was in mid-guzzle and he almost choked.  He held up his hand until he swallowed.  Then he placed the can on the rail.

“Fraid the state of Texas'd have some issues with that,” he said with a smile.

Charlie nodded.  “Guess felon with felon would be violating little missy's parole.”

“I've served my time,” I said, meeting Charlie's eyes full on.  “There's no parole.”

“Janie's right there,” Frank said.  “She's free and clear.  It's me that'd be in violation.”  He turned to me.  “Sorry, kid.  Thirteen more months.”

@@@

I let momma buy me a couple of tacos al pastor at a little taquaria I used to love.  They tasted exactly as I remembered.
 
We sat, just the two of us, at a table outside the little shack of a restaurant as the sun sank.
 
“I don't have any place to go,” I told her, looking at the tabletop.  “What the fuck is his problem?”

She shushed me, looking nervously around, but we were the only people there.

“I mean, he let Frank go in and help himself to the refrigerator.  Grand theft auto. Possession with intent to distribute.  And whatever Frank's done that has him on probation.  What makes me the pariah?”

Momma looked at the street as the cars sped by.

“Well?”

“Charlie thinks that your crime was … more egregious.”  She turned to me with a strained smile.  “That's him talking, honey.  That's him talking.”

She gathered up my paper plate, napkin, and styrofoam cup and placed them in a trash barrel.

“You still have Sammie.  She'll put you up until you get a place.”

I never remembered my mother being that weak.  She gave me some money and drove me about a mile down Vickery to a seedy motel I'd never have visited even at the lowest ebb of my miss-spent youth.